The hills have eyes 2 movie review
You’ll often find yourself wondering how the same guy not could not only direct two wildly different movies in terms of quality, but do it on a back-to-back basis. You can see a distinct difference between this and A Nightmare on Elm Street, the true passion project that he hatched around the same time, which also serves as further proof of how Craven’s filmography is basically like a game of Russian Roulette. If the original Hills Have Eyes was the climax of rugged 70s backwoods nihilism, then this sequel is a bad entry in the cycle of 80s excess the funny thing is that it’s not too many steps from being an awesomely tongue-in-cheek take-off of the films that had come to define the horror scene by ‘85.īut Craven didn’t take those extra steps, so we’re left with a flick that even he’s since disowned since he only did it for the money, and it often shows. In between, there are ridiculous dog attacks and shower room peep shows, and it all climaxes in an explosion caused by experimental dirt-bike fuel, which is kind of great. From there, it briefly centers on Ruby’s struggle to confront her past before settling on the blind girl (Tamara Stafford) in the bunch.
THE HILLS HAVE EYES 2 MOVIE REVIEW MOVIE
Their targets are rather terribly developed since the movie can never settle on who it’s supposed to be about when it begins, it’s seemingly going to be Bobby’s story, but, in perhaps one of the smartest moves in slasher movie history, he stays behind and is never heard from again (this probably had more to do with Houston not being paid for a full appearance). Michael Berryman also returns somewhat inexplicably, and he and Bloom are just as fun as ever as the antagonists.
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As a slasher, it’s a bit of mixed bag-many of the deaths are bloodless and there’s nothing as genuinely disturbing as the Carter patriarch being lit on fire in the original, but a couple of gore showcases sneak in during the last twenty minutes or so.Ībout the only thing this film has in common with its predecessor are its location and opening credits, both of which are responsible for any sort of genuine mood this film has. Essentially, this setting subs as a cabin in the woods that the cast can use as a way station before they’re shuttled out of the door to die. Gone are the subtle eeriness and atmosphere of the original, which masterfully captured a sense of dread isolation here, the characters aren’t even stuck out in the middle of the desert since they hang out at a mineshaft station that comes complete with electricity. It’s much more Friday the 13th than The Hills Have Eyes, right down to Harry Manfredini scoring the hell out of nearly every scene (including the flashbacks). cannibals setup, but it mostly amounts to this group of kids wandering around and doing stupid things that eventually result in their demise. Some moments-like a dirt bike chase sequence-take advantage of the bikers vs. The Hills Have Eyes II is released in UK cinemas on Wednesday 28th March 2007.Once the movie finally settles down, it’s basically some standard slasher fare, and much of it is a bit of a slog. Cheesy and yucky, it's a guilty pleasure but not good enough to make you stick The Hills Have Eyes 3 on your movie wish list.
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Rape by mutant ("Give me baby") and gory gags in which hands are cut off and waved at their former owners make for a tonally off-key sequel that's likely to either pleasantly surprise or absolutely annoy hardcore Hills fans. In the forgotten '80s tradition of horror sequels (The Texas Chainsaw Massacre 2, The Evil Dead 2), Aja's replacement Martin Weisz reworks the concept for splatstick laughs, his gristly, full-bodied SFX pushing the horror OTT. No prizes for second-guessing the insistent subtext, writers Wes and Jonathan Craven (his son) poking us in the eyeballs with their Iraq/Afghanistan symbolism until it becomes bleeding obvious: "It's not the mother****ers in caves halfway around the world who keep me up at night, it's the ones right here!"
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Opening with a placenta-ripping mutant birth scene, HHE 2 goes for guts not glory as a squad of unbelievably idiotic National Guardsmen (and women) led by Michael McMillian (Veronica Mars) and Jessica Stroup ( School For Scoundrels) get trapped in the desert hills. This is Cannibal Hillbilly Holocaust Part Deux: shorter, funnier and enjoyably stoopid. Still, Craven doesn't throw the mutant baby out with the bathwater. With French gore-master Alexandre Aja jumping ship, this loses the nihilistic cruelty that made the last outing so disturbing. Wes Craven continues to cannibalise his back catalogue in The Hills Have Eyes 2, a clapped out sequel to the remake of his seminal 1977 shocker, that replaces the Carter family with a bunch of weekend warriors.